A history of tapestry art with descriptions of verdure tapestries available today.
Tapestries were produced in Europe from around the twelfth century when, it is believed, the art of weaving was introduced from the East. Some small scale tapestries may have been produced during early medieval times. However, it was towards the end of this period, and throughout the Renaissance, when tapestry art production prospered. From the fourteenth to the seventeenth century, France and the Low Countries would create some of the finest tapestry art ever produced. After The Hundred Year War from 1337 to 1453, many weavers left France and moved northwards. Many tapestries were destroyed during this protracted war but afterwards a new period of learning and artistic development would begin.
The Renaissance marked an important revival of the arts, and major design changes came about for tapestries. By the second half of the fifteenth century many workshops, especially in Northern France and the Southern Netherlands, were exporting tapestry wall-hangings throughout Europe. By the end of the fifteenth century, the Brussels tapestry workshops began to dominate production. Once again, war would disrupt production, as weavers were forced to relocate. Later, toward the end of the sixteenth century, Paris, became the recognized European centre for tapestry weaving.
It is not entirely certain where verdure tapestries were first produced. However, it is known that by the sixteenth century, they had become a recognized tapestry art form. The word ‘verdure’ derives from the French word ‘vert’, meaning green. Initially, verdure tapestries were characterized by their green tones, complex foliage and flower motifs – such as the Aristoloches wall tapestry (left). Forests and woodlands were typical scenes. As their popularity rose more expansive, and expensive, designs incorporating wildlife were woven. It is these more elaborate designs that we most often associate with the verdure style today. For centuries verdure tapestries remained highly popular and were made on a large scale for export. That was, until the arrival of wallpaper, which served as a more economical way to decorate a room.
In recent years verdure tapestries have seen a revival. These can change a room by creating a striking and impressive focal point, something which cannot be matched by wallpaper alone. The subtle earthy tones of this form of wall art can deliver that, whilst also being compatible with almost any style of décor (see above). Today, these tapestries are produced by respected weavers in France, Belgium and Italy, in a range of sizes so we can enjoy their aesthetic beauty virtually anywhere..
There is a good selection of themes to choose from: forests and lakes, flora and fauna, plus wonderful images of French châteaux, hunting tapestries, classic gardens and scenic landscapes. Quite a number are available in matching pairs. The lush greenery depicted in verdure tapestries, along with the idyllic scenery cannot help but create a beautifully harmonious room; peaceful, yet unobtrusive imagery which will complement and add to the ambience of your home. Further, a wall tapestry is an investment that will be there for generations to come.