The art of Alphonse Mucha typifies Art Nouveau for many of us, so it’s been pleasing to see an increasing interest in Alphonse Mucha tapestries; hence this article about the man and his work.
One of the privileges of having your own blog is that you can write about matters of personal interest with a greater passion hoping that others will catch this and appreciate it. I’ve always respected art movements which are a way of life, such as the Arts and Crafts Movement. The breadth of Art Nouveau incorporated so much in daily life; for example, Charles Rennie Macintosh’s designs for new homes in Scotland included everything from the architecture to the cutlery. In Czechoslavakia Alphonse Mucha was part of a cultural movement although it is his designs and illustrations that remain prominent today.
Alfons Maria Mucha was born in 1860 and studied art first at Vienna and Munich before moving to Paris in 1887. (Where would late 19th century and early 20th century art be without the influence of Paris?)
The story is well known how he went into a print shop in late 1894 and discovered that a poster was needed in a hurry for a Sarah Bernhardt play. On 1st January 1895 his lithographed poster appeared and the rest, as they say, is history. Bernhardt employed Mucha for the next six years and Mucha broadened his output into advertisements, book illustrations and paintings. Often forgotten is that his work extended beyond the commercial world to designing theatre sets, wallpaper, carpets and jewellery. Alphonse Mucha’s flowing style in swirling soft pastel colours was a departure from the past, later much imitated.
Alphonse Mucha tapestries
Today we can enjoy some of his decorative art in the Alphonse Mucha tapestries woven in France or Belgium. Most are in series of four designs depicting the seasons or the times of the day and most are woven in several size options.
I love the colours and the flow of the main design into the borders of his Times of the Day series. They were colour lithographs of 1899 which are superbly woven today by Belgian weavers in a thick yet tight weave of 79% cotton: see Evening Reverie on the right. My wife and I had two of these hanging in our master bathroom: see below. (Incidentally, people sometimes wonder if humidity means that tapestries should not be hung in bathrooms, but we did not notice any ill-effects.)
Three years previously Alphonse Mucha produced a series celebrating the seasons. These are now available as wall tapestries from two weavers each having quite different colourings, so you can select according to your decor. You will notice a difference in price points; just remember that this is the best indicator of quality.
We’d love to see a photograph if you have any Art Nouveau tapestry designs in your home. Share the pleasure!